"We must imagine Sisyphus. That is the problem." —Alexander Fayne via
bardic grimoary & notions
"insect carving for dummies"
permanent daylight savings
since nothing's left to save
these underfoot pieces
permanent daylight savings
dare not criticize
hijinks repercussive
permanent daylight savings
—since nothing's left to save
Typewriters also have their drawbacks. For years i used a vintage one, & when the mouldering old office supply store that was the only place in town that stocked that kind of ribbon closed, i thought i would die.
The one time i was a judge at a poetry slam, i got booed because i only gave 1’s & 2’s (on a scale of 5). Like, poetry isn’t a sliding scale.
"The Night is Chilly but not Dark
On nights when the moon creeps shrouded up the sky
And hedge and holt lie glimmering ghostly grey,
A voice still whispers in me, far away –
A good night, this, for wiring – and suddenly
There rises from the dead that shadowy hell,
The barbed-wire rasps, uncoiling through my hand,
The flares dance flickering over no-man's-land,
A dull machine-gun raps from La Boisselle.
Then fades the phantom, and once more I know
Our spider-webs of wire are rust by now,
Our battlefields reconquered by the plough,
And hands that worked with mine, dust long ago."
—F L Lucas via
"The scene is not a static allegory but a captured catastrophe."
"macarthur spork"
margent pupeo purge
matutinal coolth trolling
pat tsk-tsk
crossing Apollo croonwisp
where this rumble Rorschachs
crazy rain
or drouth till the droogs crisp
zymurgy of zero-sum
drogulus xystering
"Amazing detail I just learned from a discussion of Gerard Manley Hopkins’ student diaries: he once gave up looking at the sky for Lent" —@someflowerssoon
I’ve often thought that instead of forcing highschoolers & sophomores to read books that they lack the language expertise to situate, they should instead be given lots of books from the pulp era, which is about as far back as recognizably current english goes & is entirely story-driven.
"stop short of the crosswalk"
icebergmask, oorie mortmain
iron logic of maw stodgefest
kaiju chess
as the overpass · & its orange
antlers chortle
mackerel sky skulking
escalate vacantcost
woods shadow
plans' shudder
pothole counting · piqued by this smooth stretch
"trial & execution of mike johnson"
deeper & deeper · tranche of darkness
bare unburial · bloody tissue spool
mackerel sky · scant shelter
cluttered desk · here where it was written
"The good host, after a dinner where much rice wine has been served, sees to it that his departing guests wear the same hats in which they came." —@harryskeeler.bsky.social
"Toad ran back to Frog.
'Frog,' said Toad, 'this kite will not fly. I give up.' "
—@frogandtoadbot.bsky.social
Makes me want to pick up a squeegee again.
a Constable sky scowling
homesteaded shelves
time not quite defeated
my curse & my chariot
old songs
still being played on the radio
will not save us
squozen
beneath
this Constable sky
"1381.
I suppose the time will come
Aid it in the coming
When the Bird will crowd the Tree
And the Bee be booming
I suppose the time will come
Hinder it a little
When the Corn in Silk will dress
And in Chintz the Apple
I believe the Day will be
When the Jay will giggle
At his new white House the Earth
That, too, halt a little—"
—Emily Dickinson
My inhuman parenting-experiment which i never got to try (no kids): have 7 nannies, one for each day of the week in order, each of whom speaks a different language. The child will grow up octolingual.
"Writing this kind of document with an uncritical use of constructs like 'superintelligence' and 'alignment' like they’re self-evidently reasonable ontological primitives (like say 'Sun' and 'Moon' for astronomy) rather than deep theological commitments (closer to 'Resurrection' and 'Transubstantiation') is either disingenuousness or an oblivious degree of religiosity." —Venkatesh Rao via
"Docking at Ezhou in the Evening
(written in the war years)
Through a gap in distant clouds
We see the walls of Hanyang
Like a sail floating
Could reach them in a day
The water is so calm
The merchants spend the daylight dozing
We only know the currents
By the calls of the crew at night
In the Xiang country
My grizzled hair turned to autumn
My homeward heart
On this long journey turns to the moon
Sometime during the war
My old farm and fields were lost
But far, far worse
Is the sound of drums by the river"
—Lu Lun via
astir blue star garden
rust viaduct the vista
no-go left turn leagues now
lesson-davening pavement
What the Odyssey actually sounded like.
"I think we are watching confabulation, deliberate lies, and political spin merge into something indistinguishable." —Heather Delaney Reese
The handwritten issue of Keyhole.
"Isaac Newton’s quote 'if I have seen further it is by standing on the shoulders of giants' was later commemorated on the £2 coin, meaning that Newton simultaneously coined a phrase and phrased a coin." —@olliebray
The rabbits are still working on it.
"the black book of neville chamberlain"
High John Conqueror
lets stranded cars through
pale cerulean rollups
stopped at a railroad crossing
the drone peers
cannot see my heart
summer's majesty of harm
happens unremarked
bodies ferreted off
before the sun comes up
the drone peers
cannot see my heart
in all ways heretic
as the slow walls make approach
& sing
as you were taught to sing
the drone peers
cannot see my heart
we have achieved liftoff
in the starry veldt
a box for manticore phlegm
damp cuff
rusted cufflinks
you have to move
the tree
these idiot games
with desp'rate outcomes
"I think of Whitman every day."
"The glittering promises of individual wealth and technologically mediated comfort and pleasure have proved almost irresistible to many human communities, and when they haven’t industrial modernity has very often been forced on recalcitrant communities by violence." —Ian Marcus Corbin via
Hegelian pun in German advert.
"FRAILTY (Anagrammed Lines)
Language has this frailty:
a hasty sunlight — a fragile,
largely aghast, faith in us...."
—Anthony Etherin
antelucan rain-hour
antlered fistful of mystics
fin'lly set
atop Mt Surd
orange saucer · floor that is murder
without music · into mere labyrinth
the shadow of the words
Champion of the giant anteater.
"What finally re-carved the ground was not a better grade of politician but a broad and sustained external forcing that took a generation to build and a generation to apply – the muckrakers who made the skim visible and then intolerable, Ida Tarbell on Standard Oil, Lincoln Steffens on the shame of the cities, David Graham Phillips on the treason of the Senate, and behind them a mass movement that turned disgust into structural law." —Bob Tow via
Our quarrel don't last for years.
"Just remembering watching Christopher Hitchens on FOX News with my mother right after Jerry Falwell had passed, when he said, 'If you gave Falwell an enema he could be buried in a matchbox.' " —@rufus-hickok.bsky.social
Some dry deaths in the panoply of villains,
memes unfurl with July's bad share of parch.
As errands crawl, the Resistance sweeps like pitch
on a chrome shore the Human Centipede garlands.
August with mad cicada insolence beckons
nor are we hardly done with walls of burning,
who count the clouds our foes this fervid inning.
Epic, could clown articulate the circus;
comic, except for barbed wire at the margins...
With less than radar track what's more than missile,
Pilgrim; then pack it into toothsome parcel
till layaway fulfills the cave religion's
interiority of bear-fat pigments—
other dry deaths remain but cursive figments.
"Thirteen Poems from My Southern Garden
6
Seeking a style, culling my phrases,
Grown old carving grubs!
At dawn the moon hangs in my blinds,
A bow of jade.
Can't you see what is going on, year after year,
By the sea of Liao-dong?
Whatever can a writer do
But weep in the autumn wind?"
—Goddesses, Ghosts, and Demons: The Collected Poems of Li He (tr J D Frodsham, 1988)
"Flickering in the Pleiades meant trouble on the northern frontier." —Eliot Weinberger via
"Strip back the rattling chains and the cold spots and what you find, again and again, is someone who wasn’t allowed to speak." —CJ Cooke via
"Parallelogrampire"
Pale cerulean this tense July
Fun mortality blossoms;
Riddlethwarts destroy
As debris counts the lessons.
Bicentennicide swift and clean
Mellows in the hell-machine.
No one saw where assassins waltzed;
Outlines stand or they seem to.
Pickpockets say it's all our faults--
Xmas lights on the lean-to.
Bicentennicide's Potemkin vibe,
Hoedown for a toxic tribe.
Fireworks and AI-targeted drones
Dance in the heads of vatniks.
Doctor's verdict spills on stones
Dealwise necromantic,
And manly bicentennicide
Mogs the day the music died.
"Requiem for a Staunch Trumpist"
When the tale of all of this is told,
Some were reluctant knaves, and some were bold.
"I have come to realize that no matter how badly the algorithms fuck us up, the internet is still the front line of the struggle between the DIY movements surviving from the 20th century and the commercialism of global tech corporations trying to dominate the 21st-century world." —Hana &Co via
"I used to get quite a lot of these emails and I did indeed take part in book clubs, festivals and TV programmes about books. The difference now is that the clubs, festivals and programmes don’t seem to exist." —Christina Patterson via
"subvortex"
Nights in July in Texas, never dipping
under eighty, the pool bathwater-warm.
Cicadas all day long thrash raucous hymn
nastily carping.
July nights, their annulling
humid clasp
nothing before mooring
our cloistered drift;
lit windows · that were less views
than unkept promises & now too late—
Texas July trundles into Europe
on Panzer treads; nightmares sponge-envelope
(cicadas assert)
while here (heavily) · a glow ebbs.
"LA GIOCONDA
Leonardo Da Vinci
The Louvre
Historic, side-long, implicating eyes;
A smile of velvet's lustre on the cheek;
Calm lips the smile leads upward; hand that lies
Glowing and soft, the patience in its rest
Of cruelty that waits and doth not seek
For prey; a dusky forehead and a breast
Where twilight touches ripeness amorously:
Behind her, crystal rocks, a sea and skies
Of evanescent blue on cloud and creek;
Landscape that shines suppressive of its zest
For those vicissitudes by which men die."
—Michael Field in Aesthetes and Decadents of the 1890's (1981)
"Been trying to figure out what it reminds me of and it's 'Main Street USA' at Disneyland."
"After this, and despite a long series of anti-Irish and anti-Catholic sniping, they ['the Michaels'] converted to Catholicism, going so far in their zeal as to become Dominican tertiaries (lay sisters), though with a special dispensation that allowed them to continue attending the theatre." —David Wheatley via
"My favourite part is a tie between the anecdote about sending postcards from his band’s New York tour to the Irish social welfare office, and his finding out a hallucinated group of pygmies due to a mushroom trip were, in fact, a tour group of dwarves coincidentally visiting the nightclub at the same time (!)." —Sam Enright
"Spring View
The country is broken, though hills and rivers remain,
In the city in spring, grass and trees are thick.
Moved by the moment, a flower's splashed with tears,
Mourning parting, a bird startles the heart.
The beacon fires have joined for three months now,
Family letters are worth ten thousand pieces.
I scratch my head, its white hairs growing thinner,
And barely able now to hold a hairpin."
"CROW (Palindrome)
Deft,
I saw a crow,
over us,
a sure vow or caw
as it fed."
—Anthony Etherin
"I will go to watch the animals, and let
something of their composure slowly glide
into my limbs; will see my own existence
deep in their eyes, which will hold me for a while
and let me go, serenely, without judgment."
—Rilke (tr S Mitchell) via via @dreamsofbeing.bsky.social
"My dad was a poet so I could never really join in when the other boys would argue about whose dad could beat up the other dads, but I was confident that my dad could make your dad feel seen in ways that would quietly devastate him." —@sjksalisbury.bsky.social
oomphdip seldom suffered
both coffees
scary-steep graph our faring
occult downfall
if you stick to ixodids
overwarm morning
my old car
most of whose char windows
open nicely
the parkinglot lurk-fang'd
new summerhat gnomon
drivethrough line
nestled in a chessgame
faraway dreich
Tagged crab report reward pin.
"CROWS (Anagrammed Lines)
The crows are back at the
weathercock that bears
a hawk.... Both trace secret
arches to the backwater,
to caw at the brash creek."
—Anthony Etherin
"...real detonation but false report..." —Finnegans Wake
I too have always been baffled by this seemingly hardwired feature of our literary culture. I enjoy reading translated works in languages i can't read, like Russian. But i also have explored (to a limited degree) poems in two or three of their original languages & the difference is what i like to call "a cover song versus the original"... Literary culture requires generalizations it πππ πππ’π‘πππ¦ πππ πππ‘ ππππ π’π, in most cases (unless the critic is someone like George Steiner). The alternative is having the humility to admit most of us aren't qualified to make the kind of sweeping critical judgments we would want to.
boiling in the tar-pit
em'rald rain
vilipend neon lie
blinds drawn
ritual murder board
half empty