"We don't desire a president, do we?"
#PalindromeByPairs —@anthonyetherin.bsky.social
Christmas reading for SillyPeter.
bardic grimoary & notions
"We don't desire a president, do we?"
#PalindromeByPairs —@anthonyetherin.bsky.social
Christmas reading for SillyPeter.
Eruption from the active region.
Hurdy-Gurdy at the Kozlov Club.
"Syllable-
mole, sea-
coloured, far out
into the unnavigated."
—Paul Celan
(tr. Michael Hamburger) via @kimdorman.bsky.social
"Toad looked at the ground. The seeds still did not want to grow. 'What shall I do?' cried Toad. 'These must be the most frightened seeds in the whole world!' "
—@frogandtoadbot.bsky.social
"digital golem"
earshrill dark its ache lost
anytime i change climate
pancakes left & perfect
passel of lame airts fnasting
flecks in the sky flicker
flagrant ions as ears vying
"sea of shrines"
blurred indigo ordnance
eerie arroyo plaintext
bricks unimproved— praxis—
the price of rune-carved dice toss
wrapping paper rustles
through rain hallway-lost dollops
snarlwings
"A drone, lost, lay, as by a last, lone road." —@anthonyetherin.bsky.social
Ascenseur pour l'échafaud soundtrack.
"Emit a tale woven one vowel at a time." —@anthonyetherin.bsky.social
jailbreak verse ingested
Jericho wall stump trumpet
iron eerie arroyo
icebergdodo-goaf profile
jerry-rigged smaragd jailbreak
a just world would hold golden
a free world would waylay
whether or not cost fostered
Bodê's illustrations for Space Chantey.
"Journey to Nomen Tuum"
break ground hog wild fire
break down wind up side car jack
strap on ramp up town
house proud flesh pot latch key word
play pen name plate glass pack ice
(2008)
"Shijo poetry makes wide use of the conventional symbols of the Chinese tradition. ...the Korean poets took them and shaped them to their own purposes, often using them in an ironical way. ...This sort of irony is at the heart of the shijo tradition, and it goes a long way toward defining the Korean sensibility." —Kevin O'Rourke, The Book of Korean Shijo (2002)
"MFAs are a scam. The only writers I trust are autodidacts who worked in a boot-blacking factory because their fathers were sent to debtors' prison" —@johnattridge.bsky.social
"November Night
Listen …
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall"
—Adelaide Crapsey (via @21rosa.bsky.social)
“The Passion of Squirkle Rebus”
my flicker is the only light
my copy is the real thing
this flurry of unmatched events
reveals a subtle hidden plan
we crave to take our looming place
among the waste and level sands
we dream to fend away the stars
how small we are when Pharaoh sings
(2007)
Too bad about "jailbreak poetry".
“On the dry Laetoli plain of northern Tanzania, Mary Leakey found a trail of hominid footprints. The three barefoot people–likely a short man and woman and child Australopithecus–walked closely together. They walked on moist volcanic tuff and ash. We have a record of those few seconds from a day about 3.6 million years ago–before hominids even chipped stone tools. More ash covered the footprints and hardened like plaster. Ash also preserved the pockmarks of the raindrops that fell beside the three who walked; it was a rainy day. We have almost ninety feet of the three’s steady footprints intact. We do not know where they were going or why. We do not know why the woman paused and turned left, briefly, before continuing. ‘A remote ancestor,’ Leakey said, 'experienced a moment of doubt.’ Possibly they watched the Sadiman volcano erupting, or they took a last look back before they left. We do know we cannot make anything so lasting as these three barefoot ones did.” —Annie Dillard, For the Time Being
"When we have found all the mysteries..."
Rapidly strengthening tornado in central Minnesota.
"Our scholia–the collection of marginal comments culled from centuries of scholarly editing of and commentary on ancient texts–preserve layers of different approaches to Homer."
—Sententiae Antiquae via
Native American Tornado Mythology.
raid eerie arroyo
ramparts vantablack lampshade
"I don’t know what glory there is in being light-skinned descendants of Black people because of resettling in northern climes with weak UV rays."(via @michaelby.bsky.social)
“FROGPRINCE
Presence had its stay with me,
and even if only for a time
it came in the brief of love–
I used to whisper in her ear’s
idyl. She was so treat, so could.
I mostly was worse. Now
the unkind years of peace
strand me here, where the lamp
studies pain with impunity.
The dust etched in its trance
seems a core the air can’t share,
overwhelming the eye which
itself is plus-sulked with themes
of sight, beyond-borne. Imagine
a lilypad pregnant with eyelids,
lapping the light with its lashes.
Diffused to me the outward lies
as motes to the beam that bears
them. So what I see carries me
somehow, I cannot stand apart
subject and direct observer
though as always I desire to.
I prefer to view than act, and
reflect upon the pond I appear.”
—Bill Knott
The paintings have come to collect. (via feuilleton)
"Radar #palindrome
A Radar #palindromebypairs
Dark Radar #palindromebytriples
A Darker Radar #palindromebyquartets"
—@anthonyetherin.bsky.social
Same behemoth sunspot that Mars rover Perserverance saw from Jezero Crater last week.
"All parts of the body are erotogenic. Assholes can be trained with whips and kisses, that's elementary. Pricks and cunts have become monstrous! Down with genital imperialism! All flesh can come! Don't you see what we have lost? Why have we abdicated so much pleasure to that which lives in our underwear? Orgasms in the shoulder! Knees going off like firecrackers! Hair in motion! And not only caresses leading us into the nourishing anonymity of the climax, not only sucking and wet tubes, but wind and conversation and a beautiful pair of gloves, fingers blushing! Lost! Lost!" —Beautiful Losers
antique holepunch Alpine
enisled drawer to drawer filed as
rooms revolved rovedoors
& ridedonkeys' swerves conquered
you made marplot chapbooks
mistily cast where air goes
as a train tranche crunches
the truthless miles so violent
dots dropped in the snap bin
Fake Book Titles Extravaganza 9.
"Aztec treasure"
smoky rooms · in the run down
warehouse district · words rang
& died dismally · the doors closed
the very streets · evaporated
only mirrors · hold like misers
their dark shapes · with the shabby jazz
in my pocket glass · in my heart the dead
of this grim tontine
the floor's own smell
"This is the last entry in the blog called Click Opera."
"Yet environmental catastrophe features in late capitalist culture only as a kind of simulacra, its real implications for capitalism too traumatic to be assimiliated into the system." —Capitalist Realism
AI-written articles outnumber human-written.
"looking at illustrated ads in magazines like wow u could have a job doing art at one point. they used to pay people to do illustrations thats crazy. bring that back" —@dirtcupart.bsky.social
"Purity can only be represented in impurity..."
"VOYNICH (Anagrammed Lines)
I encrypt much, to vanish
into such ivy parchment —
in the script many vouch
vaunts no mythic cipher:
The Voynich Manuscript."
—@anthonyetherin.bsky.social
"felching ferch in the Twisted Slippery Years"
before Xmas tourists
tamp the crepe
subfusc noon its stilbfare
stipples crisp
nothing going onward
ogles gap
till gaunt Xmas soldiers
swing their gear
" —But you were trying to protect me, weren't you? Oh, F., do you think I can learn to perceive the diamonds of good amongst all the shit?
—It is all diamond."
—Beautiful Losers
NE limb eruption, likely from the vicinity of region ex 4274.
"Cutting out the middleman by inventing a ceiling lightbulb cover that already comes with the dead bugs inside" —@thehyyyype.bsky.social
1940s Arabic & Kurdish Recordings from Baghdad. (via @bruces.bsky.social)
I dream of the beauty of Alzheimer's
in a world that has lasted so long...
to forget how i got there,
to have lost these days.
06 03 91
”Stonewalled (Shakespeare XIV)
The fall of Colossus calls for more than pluck.
Atop the ziggurat astronomy
finds one, two stars. (Three with luck.)
Why do I keep feeling 'quality
of life’ is more than wigs of polliwogs? Tell,
O cranium, where these walls lead, numbing as they wind:
nor do but echoes report from the stopped up well.
Each new day presents me with a find,
a book or a record, yet I hardly derive
sustenance therefrom. My wobbly art
rolls on. Rumorous, the baboons thrive
in spite of mystic blasting. Clouds convert
to muddier clouds, while toads prognosticate
inside thick cornerstones of uncertain date.“
—Zachary Appomattox, A Series of Unfortunate Presidents (2005)
“We have passed the moments of crisis: we are now in the era of death and collapse; now we must preach and practice harm reduction, preserve our oral histories, feed and nourish each other, rest and recover, and imagine and build the foundations of new life as this world ends” –@ganjacum
The art of fooling robots (day 120).
One of the greatest noirs, joan is phenomenal especially in the final segment.
“Poems should echo and reecho against each other. They should create resonances. They cannot live alone any more than we can.” —Spicer
“What exactly is poetry and what makes a good poem?”
unlike the other silly question that was asked hereabouts recently (“what is the greatest lyric poem in English?”) i don’t think this one is worth answering. formerly, there was an answer for every age & every culture but now there are 500 & the prevailing sense is that each poet decides for himself which criteria to use. the odd thing is, though, that when poets do argue they seem to think they are taking one of two (or, occasionally, three) possible positions. after an hour, if they are smart & somewhat lucky, they will then discover that they don’t even have definitions in common for the words they’ve been using to describe their positions… such is the state of intellectual discourse at the end of the 20c.
1-31-2002 on Eratosphere forum
“Farrago
The housings fall so low they graze the ground
And hide our human legs. False legs hang down
Outside. Dance in a horse’s hide for a punctured god.
We killed and roasted one. And now he haunts the air,
Invisible, creates the world again, lights the bright star
And hurls the thunderbolt. His body and his blood
Hurries the harvest. Through the tall grain,
Toward nightfall, these cold tears of his come down like rain,
Spotting and darkening.— I sit in a bar
On Tenth Street writing down these lies
In the worst winter of my life. A damp snow
Falls against the pane. When everything dies
The days all end alike. The sound
Of breaking goes on faintly all around
Outside and inside. Where I go,
The housings fall so low they graze the ground
And hide our human legs. False legs hang down
Outside. Dance in a horse’s hide. Dance in the snow."
—Weldon Kees
Demogorgan Theme (Upside Down).
"a lot of imaginative fiction is actually assuming that incidental and contingent traits of 20th century america are properties of the universe" —@segyges.bsky.social
"Rooney said the ban on Palestine Action under terrorism laws also had far reaching consequences for her as an author and her right to free expression." (via @hyoyoonkang.bsky.social)
"I've been watching a marathon of Murder, She Wrote the last couple days, and now I'm ready to move to Maine." —@kameronhurley.bsky.social
"ROCK HAS NOT LEARNED
Valleys are not aware
Heather and bog-cotton fit themselves
Into their snugness, vision sealed
And faces of people that appear
Moist-eyed, confronting the whole work
With cries that wince out
Just as they shape and tear clear
The whispery husk bones of faces
Are ground into fineness of light
By a weight
And shadowy violence
Of blind skylines revolving dumbly
Ignorant in ignorant air"
—Ted Hughes
Crying like a fire in the sun.
"TV show cookie tie-in"
turdictionary readout
reapply duduk-dark tidings
vibecession vaxx curbside
vor cellophane loafers,
lumpy mustard deerstalker
stamp each verbal cupcake
“Let me chop apart
With my bare hands
This blurred forest.”
—Spicer
“The edges of a mirror have their own song to sing.” —Jack Spicer
"black friday"
bloodletting psalm sidles
silica pouch will parry
in dreamlaced inside-voice
answer fathoms made laden
almost-black mocha mogul
militates trek pill-wandering
hands empty as they happened
to halve the smudge bloodletting lie
"smol plague run"
to the sconce skald arson
scoriac absurd verdict
faint hieroglyph haunting
in the hargcube-math target
stilb's albatross circuit
seashore full of cruel edicts
Nice look at the chromatophores.
There’s the timeline in which AI art develops to the point where it rivals that of humans & humans start being influenced by it; & then there’s the timeline where industrial development results in runaway climate disaster & the end of business as usual for the human race–but i would advise any scifi author not to try combining these two different scenarios into one book. It’s too much. Audiences will be confused.
"We’re not only losing trees, we’re losing tree poems that aren’t elegies for trees."
"Now dead, he continues his migration..."
"Cordova's son, Theo, invented a language for the family. ...I remember Astrid explaining it to me like it was yesterday. 'The Russians have sixteen words for love. Our language has twenty.' " —Night Film
"Vanity of Human Wishes" with commentary.
old bookmarks · ribbons to branches tied
not enough trails · did i tear apart
full afternoon · in the elsedim
two or three words i learned
One of the best sonnets not by shakespeare or millay.
poor trencherman patchcord
appalling moth clash pother
the worm turns
the masked rogue needs rescue
rancid to watch fray dancing
the storm warns
bitter shards & botflies
burn praise where the maze wanders
Gilgmesh Sumerian because why not.
"The truth about what happens to us in this world keeps changing. Always. It never stops." —Night Film
"A language without umlauts sounds monotonous..."
“He picked up the slaughtered, keg-robed earshot.” —Hell of the Cyr
tomorrow's burning wind
strafes me today
running ever t'ward
tomorrow's burning wind
midway dark wood
& gnat cloud dree
tomorrow's burning wind
strafes me today
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