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"He begins with the art historian Giovanni Morelli’s method of ascertaining forgeries: rather than looking at the central part of a painting, which a forger always copies with the most care, one should turn instead to the periphery, such as the eyes and ears of a portrait: here, in the margin, lurks the revealing error, the unconscious display of personality."
"Chronos as an It Girl
After Marianne Moore
It’s not Time as in Time’s-Up but it
is Time like
the magazine no one reads. 'It'
does not pretend to know whether it is man or woman,
or an accident, or a demon
from some older-ass, whiter-ass, time.
Ass! It’s a time of Callipygi-
-an women,
girls waking up from Jane Austen
genres of dreams. Ah Mr. Willoughby, do you know her,
Chronos, the It-girl? the many-eyed
and many-faced Titan of dimes square?
Titan or Titian, art’s temporal—
'And the coke
is mostly fentanyl these days.'
She’d rather be in Cabo, honestly, the people there
look like they want you to have their ba-
-bies. Because they have their own, is why.
In a cracked mirror, nabbed from a
tan package,
that read 'c/o Joan Didion,'
Chronos the It Girl makes her face, then primps water lilies,
which she places in the pool before
the guests show, demanding: 'Vodka, neat.'
Who has a pool in New York these days?
'I heard she
ate her son.' 'No, silly, she just
ate her placenta. Placidly.' Everybody is do-
-ing it, everybody wants to stay
young, until they suddenly want kids.
'But brush fires in California,' you
overhear
some boy say, a boy who claimed once
he was a poet, but when somebody challenged him to
read a verse, he recited the words
to 'Ms. Jackson' and everyone booed.
But now it’s time—Time’s Up! Times Square!
The New York
Times front page reads: 'You don’t have to
go home but you can’t stay here.' She’s tired, Chronos is,
she suddenly feels much older than
when the party had just begun. Go
home! You stupid Greeks, you dumb Romans,
stumble back
to whomever’s bed you left,
and let her sleep a beautiful It-Girl sleep, to the dul-
-cet sounds of New York architecture,
which tick like clocks: American Time."
--Maria Theresa via The Hinternet
Cart in the box of a Lego cat.
Only Wes Anderson could adapt Ivy Compton-Burnett.
"...he learned what transgender advocates have been saying all along — that no amount of evidence will satisfy people who fundamentally reject the idea that transgender identities are valid."