Wednesday, August 10, 2005


    "Baghdad


O, little crown of iron forged to likeness of imam's face,
what are you doing in this circle of flaming inspectors and bakers?

And little burnt dinner all set to be eaten
(and crispy girl all dressed with scarf for school),
what are you doing near this shovel for dung-digging,
hissing like ice-cubes in ruins of little museum?

And little shell of bank on which flakes of assets fall,
can't I still withdraw my bonds for baby?

Good night moon.
Good night socks and good night cuckoo clocks.

Good night little bedpans and a trough where once there and inn
(urn of dashed pride)
what are you doing beside little wheelbarrow
beside some fried chickens?

And you, ridiculous wheels spinning on mailman's truck,
truck with ashes of letter from cripy girl all dressed with scarf
for school.
why do you seem like American experimental poets going nowhere
on little exercise bikes?

Good night barbells and ballet dancer's shoes
under plastered ceilings of Saddam Music Hall.
Good night bladder of Helen Vendler and a jar from Tennessee.
(though what are these doing here in Baghdad?)

Good night blackened ibis and some keys.
Good night, good night.

(And little mosque popped open like a can, which same as factory
of flypaper has blown outward, covering the shape of man with it
(with mosque): He stumbles up Martyr's Promenade. What does it
matter who is speaking, he murmurs and mutters, head a little bit
on fire. Good night to you too).

Good night moon.
Good night poor people who shall inherit the moon.

Good night first edition of Das Kapital, Novum Organum,
The Symbolic Affinities between Poetry Blogs and Oil Wells,
and the Koran.

Good night nobody.

Good night Mr. Kent, good night, for now you must
soon wake up and rub your eyes and know that you are dead."

--K*nt Johnson (via T*xfil*s)



"...political ire is hardly the most promising surface motive for sustaining the language and procedures of contemporary poetry..."


"This wasn't trisomy 21..." (via Languag*hat)


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